Wednesday, November 27, 2024

Jude Law Reveals Iconic Cottage from *The Holiday* 'Doesn't Exist'





In an eye-opening revelation, actor Jude Law recently shared with fans that the charming English cottage featured in the 2006 holiday classic The Holiday doesn't actually exist — at least not in the form seen on screen. While the picturesque countryside retreat played a key role in the romantic film, which also starred Cameron Diaz, Kate Winslet, and Jack Black, it turns out that the cozy cottage was a clever creation of the film's production team.

During an interview promoting his latest projects, Jude Law, who played the swoon-worthy widowed father, Graham, in The Holiday, opened up about the film’s filming locations and set designs. One of the most beloved elements of the movie is the idyllic cottage where Kate Winslet’s character, Iris, lives. The house, with its rustic charm and dreamy, snow-covered surroundings, quickly became synonymous with the holiday spirit for fans of the film.

However, it seems that the cottage that has captured the hearts of viewers across the world is a fabrication. Law disclosed that while the exteriors were shot in a village in England, the interior of the cottage was filmed entirely on a studio set. "That house, that cottage, doesn't exist," he said. "It was built specifically for the film in a studio. The exterior shots were filmed in a real village, but everything inside was created in a soundstage."

The Magic Behind the Movie

For fans of the movie, this revelation may come as a surprise, as the cottage's cozy ambiance, complete with its warm fire and traditional English design, feels like the perfect holiday escape. The cottage, which served as the setting for many pivotal moments in the movie, became an iconic image of the romantic Christmas season, particularly as the backdrop for the heartwarming romance between Law’s character and Winslet's.

The charming village where the exterior shots were filmed is located in the picturesque town of Shere, Surrey. This area has long been a popular destination for filmmakers due to its quintessentially English beauty and quaint charm. However, the actual design of the cottage was crafted in meticulous detail to evoke a sense of nostalgia and the ideal holiday home.

Why the Secret Was Kept

While many viewers had assumed that the magical setting of The Holiday was a real place, Law explained that keeping the secret added to the movie’s charm. "Sometimes, it’s nice for a film to have a little bit of mystery," he said. "The fact that the house wasn’t real helped create a sense of dream-like escapism, which is what we wanted for this movie."

The Holiday, which follows two women who swap homes for the holidays in a bid to escape their respective romantic dilemmas, has become a beloved staple in the Christmas movie genre. Its beautiful locations, emotional depth, and memorable performances have cemented it as a go-to film for many during the holiday season.

Fans React

Naturally, fans have had mixed reactions to the news. While some are disappointed to learn that the cottage isn't a real getaway spot, others are simply fascinated by the level of detail and design that went into making it feel so authentic. Some have taken to social media, expressing their love for the movie while jokingly lamenting that their dreams of booking a stay at Iris's charming retreat have been dashed.

Despite the revelation about the cottage's existence, The Holiday remains a favorite of holiday movie lovers. In the end, the film's magic isn't just in the setting, but in its heartwarming story of love, redemption, and the importance of human connection, making it a timeless classic that will likely continue to captivate audiences for years to come.

As for Jude Law, while he may have shattered a bit of the movie’s magic, he’s certainly left us with more than enough to celebrate this holiday season — real or imaginary cottage aside.

Box Office Buzz: ‘Moana 2’ Eyes $12M+ Pre-Thanksgiving Record, ‘Wicked’ Soars with $16M Tuesday, ‘Gladiator II’ Holds Strong at $7M



Hollywood, CA — The holiday movie season is kicking off in style as Disney’s Moana 2 is on track to break records with its impressive pre-Thanksgiving preview earnings, while Wicked continues to wow audiences with a phenomenal Tuesday performance. Meanwhile, Ridley Scott’s Gladiator II remains steady, keeping its position strong in a competitive market.

‘Moana 2’ to Make Waves with Record-Breaking $12M+ Previews

Disney’s highly anticipated Moana 2 is set to make a splash at the box office, with early reports suggesting the film could exceed $12 million in pre-Thanksgiving preview screenings. This would position the animated sequel to easily surpass the previous record for Disney's pre-Thanksgiving performances. The original Moana (2016), which became a massive success with both critics and audiences, is now primed for a sequel that brings back the beloved characters and introduces new adventures. Early reactions from fans and critics alike have been overwhelmingly positive, and with its vibrant animation and catchy soundtrack, Moana 2 is expected to dominate the holiday moviegoing scene.

If Moana 2 performs as expected, it will secure a spot among Disney’s other high-performing holiday releases, cementing its place as a major hit this season. The film’s strong preview numbers indicate an impressive opening weekend, with predictions suggesting it could rake in upwards of $50-60 million when it officially debuts in full release.

‘Wicked’ Stuns with $16M+ Second-Best November Tuesday Performance

Meanwhile, the Wicked musical adaptation continues its strong performance in theaters, raking in over $16 million in ticket sales on Tuesday, marking the second-best November Tuesday of all time. This unexpected surge comes just weeks after the film’s release, proving that Wicked still has a lot of magic left in its theatrical run. The film, based on the iconic Broadway musical, has been a massive draw for fans of the stage production, and the star-studded cast, including Ariana Grande and Cynthia Erivo, has only added to the film’s allure.

Wicked’s continued success at the box office is a testament to its broad appeal and the staying power of the beloved musical. While the film initially took a more modest opening, its sustained success has made it a staple of the fall box office, and it’s now well on its way to becoming one of the year’s top-grossing films.

Gladiator II’ Maintains Solid $7M Performance in Its Second Week

Ridley Scott’s epic sequel, Gladiator II, continues to deliver solid numbers, pulling in $7 million this past weekend. While not a runaway hit compared to its larger competitors, Gladiator II is holding its own in the wake of massive releases from Disney and other studios. The film, starring Paul Mescal as the new lead alongside returning cast members, has drawn in audiences who are eager to see how the iconic Roman story continues.

In its second week, Gladiator II is seeing a steadier, more consistent performance at the box office, with many predicting it will have a longer theatrical life thanks to positive word of mouth. While it may not be breaking records, its more modest numbers have solidified its place in the current landscape of fall releases, as it caters to a different audience demographic looking for drama and action with a historical backdrop.

Looking Ahead: The Thanksgiving Box Office Battle

As the holiday movie season heats up, the box office is gearing up for a showdown of blockbuster proportions. With Moana 2 leading the charge, the competition for the top spot in the coming weeks will be fierce. Disney’s stronghold on family-friendly films, combined with the continued success of musicals like Wicked, ensures that this Thanksgiving will be packed with options for moviegoers.

Gladiator II will also continue to battle for its place, with several major films still on the horizon, including highly anticipated titles set to release closer to Christmas. With strong openings and solid performances from these films, the fall box office is proving to be a lucrative season for both studios and audiences alike.

As the month unfolds, expect to see these numbers continue to shift, with each film vying for dominance in the competitive holiday season. For now, Moana 2, Wicked, and Gladiator II are leading the charge, offering a glimpse of the exciting entertainment that awaits audiences this Thanksgiving.

Where Do the Giants Go From Here After Snell's Reported Dodgers Deal




SAN FRANCISCO - - On occasion in the primary half last season, obviously Blake Snell wasn't prepared to be on a hill. Now and again in the last part, he was probably pretty much as great as any Monsters pitcher has at any point been.

The left-hander consistently appeared to be pursuing more, and not simply in the main half. He would overwhelm a rival and play with a no-hitter in the early innings and afterward stand before columnists and say the curve wasn't correct, or he didn't cherish his changeup, or he knew explicit ways that he could be better regardless of whether he wouldn't reveal them. At the point when he really tossed a no-hitter, Snell was refreshingly genuine, clarifying that he had taken care of business to some degree to demonstrate to 30 MLB groups that he would be able, and that it ought not be held against him when he got back to free organization.

Toward the year's end, in the wake of declining to make what might have been his last beginning as a Monster, Snell remained before his storage and discussed his season and his future.

Where Do the Giants Go From Here After Snell's Reported Dodgers Deal?

San Francisco, CA – The San Francisco Giants are now left to reassess their pitching strategy following the news of Blake Snell's reported agreement with the Los Angeles Dodgers. The 2023 National League Cy Young winner has been a prime target for several teams this offseason, and his decision to join the Dodgers shifts the balance of power within the division. For the Giants, this development marks a significant moment in their pursuit of postseason contention.

Snell, who had been a key figure for the San Diego Padres, bolstered his status as one of the league's premier pitchers with his dominant 2023 campaign. The 31-year-old left-hander finished the season with a 2.25 ERA, leading the league in earned run average. His ability to strike out batters and stifle opposing offenses made him one of the most coveted free agents on the market.

For the Dodgers, securing Snell is a major coup, adding another ace-level arm to their already formidable rotation, which includes Clayton Kershaw, Julio Urías, and Tony Gonsolin. Snell’s addition strengthens their World Series aspirations, but it also adds more pressure to division rivals, particularly the Giants, who now find themselves in a competitive arms race in the NL West.

Giants’ Pitching Outlook

With Snell heading to Los Angeles, the Giants’ front office will need to rethink their pitching plans. While they have a solid rotation with the likes of Logan Webb and Alex Wood, the absence of Snell in San Francisco’s pursuit of elite arms leaves a gap. The Giants had long been rumored to be in the market for a top-tier pitcher to complement their pitching staff, and with Snell now off the table, other options will need to be explored.

The Giants’ front office is known for its methodical and data-driven approach, and with the free-agent market still brimming with talent, San Francisco could look to bolster its pitching depth by targeting other high-profile names such as Sonny Gray, Marcus Stroman, or even exploring trade opportunities for a frontline starter. The team’s pitching development has been one of the club’s strengths in recent years, so it’s possible that a lower-risk, higher-reward move could emerge.

The Giants’ Financial Flexibility

The Giants have also maintained financial flexibility, making them a prime candidate for aggressive moves this winter. With a payroll that could accommodate another big contract, San Francisco could still make a splash in free agency to help close the gap in the division. While securing Snell would have been a statement move, other available arms or a potentially game-changing position player might still be on the horizon.

The Giants have been linked to various rumors this offseason, from trading for stars to signing impactful free agents. With a competitive but aging roster, San Francisco needs to balance making bold moves with continuing to develop their younger core players.

Looking Ahead to 2024

The Dodgers’ acquisition of Snell is a reminder of the relentless nature of the NL West rivalry, and for the Giants, it highlights the need for urgency. San Francisco’s front office will likely regroup and evaluate their next steps carefully, knowing the importance of adding pitching depth or playmaking talent to stay competitive in a loaded division.

The Giants may also focus on addressing other areas of need, including a potential boost to their offensive lineup or adding more depth to their bullpen. The offseason remains far from over, and with the free-agent market and trade options still in play, San Francisco is expected to remain active in its pursuit of upgrades.

While the Dodgers' deal with Snell could have been a major blow to the Giants’ hopes of strengthening their own rotation, it’s also a rallying point to reinforce the importance of moving forward with a clear strategy for 2024. Whether that means pursuing new pitching talent, upgrading offensively, or seeking out an under-the-radar acquisition, the Giants’ front office is now tasked with adapting quickly to ensure they remain a contender in the highly competitive NL West.

Snell on Tuesday consented to an agreement with the Los Angeles Dodgers, a choice he declared on his Instagram page. The arrangement will pay him a revealed $182 million north of five years and further fortify the supreme Worldwide championship champs, who are - - to get an expression - - light a long time in front of their long-term rival.

The Monsters may be frustrated by a definitive landing spot, yet all at once not excessively shocked. The Dodgers had interest in Snell last Walk, yet the Goliaths acquired an edge by offering a one-and-one arrangement that would permit him to quit and get back to free organization.

That arrangement wound up getting the Goliaths only 20 beginnings, with Snell two times raising a ruckus around town. At the point when he returned the subsequent time, on July 9, Snell had a 9.51 Period and had at this point to finish five innings in a beginning. The remainder of the way, he posted a 1.23 Time.

Over those last 14 beginnings, Snell pitched seven or more innings multiple times and two times tossed 114 pitches. It was no mysterious he was attempting to demonstrate he could be solid, and maybe that is essential for why the Goliaths never appeared to be all that enthused about a get-together.

Like Snell, they expressed the entirety of the well mannered things, yet group authorities made it clear late in the year that they anticipated that Snell should find a more ideal arrangement somewhere else. The Monsters for quite some time have avoided long haul bargains for more established starters. Now and again they have been correct (Carlos Rodón) and on occasion they have in a split second had laments (Kevin Gausman).

For his splendor, Snell was completely on his own program, and that is not the sort of pitcher who will persuade an association to head in a different direction following quite a while of moving in an opposite direction from more secure wagers. You can't the least bit fault Snell for safeguarding his arm down the stretch, however it positively was a fascinating differentiation with Matt Chapman, who straightforwardly haggled with Buster Posey and was irritated that he was unable to play nine innings the night he was marking his own huge long haul bargain.

It's absolutely impossible for the Monsters to gloss over the way that this arrangement came from Los Angeles. The rich get more extravagant, with Snell joining a turn that will incorporate Yoshinobu Yamamoto and Shohei Ohtani, two players the Monsters pursued right now a year prior.

The Goliaths are left with an opening at the highest point of their pivot, one that will not be quickly filled. At the point when Farhan Zaidi exchanged for Robbie Beam, he said the lefty would be the ideal co-expert for Logan Webb pushing ahead, and the Goliaths need to trust Beam is prepared to get back to his Cy Youthful type structure. They'll trust that Kyle Harrison and Hayden Birdsong can take the jump, and that is not the slightest bit unreasonable.

With Snell off the market, Corbin Burnes is the most ideal pitcher that anyone could hope to find, and the Monsters in all actuality do have some revenue. In any case, Snell just set the market at $36 million every year and Burnes is two years more youthful, so he can pause for a minute and hang tight for the offering battle to take his cost past $200 million.

The Goliaths will add a veteran beginning pitcher this offseason, yet they may be compelled to hang out in that subsequent level, which isn't really an issue on the off chance that they can fill openings somewhere else, most eminently at shortstop. The Kansas City Royals made unobtrusive increments last year with Seth Lugo and Michael Wacha last offseason and wound up in the MLB end of the season games, and there are many veterans who fit that form this time around.

However, there is no one as predominant as Snell. At the point when he's right, in any event, getting a hit off of him feels like a test, and it's one the Monsters should require on over the course of the following five years.